Available
Breach
24 × 30 in.$1,900
The instant a boundary gives way and a new life begins.
Inquire about this work →Atmospheric contemporary abstract art & mixed media
Atmospheric, textural abstract works for contemporary living, commercial spaces, and hospitality environments—shaped by thresholds, imagined histories, and the quiet certainty that there is still somewhere worth going.

Raleigh, North Carolina
“An invitation to move forward.”
Original works · 2026
The collections
Available works
I often recognise paintings as family before they become a formal collection—works connected by a shared atmosphere, language, or sense of belonging. Each available work is one of a kind. Prices are for the original artwork; shipping or local delivery is arranged personally.
01
Collection
Four works about crossing: birth, passage, approach, and the life finally lived.
02
Collection
Weathered territories, old surfaces, and the courage to enter what has not yet been mapped.
03
Collection
Companion works—two quiet voices shaped by hidden halls, weathered stone, and welcome.
04
Collection
Three kindred works that resist the expected path: a painting, a sculptural vessel, and a solitary relation.
05
Selected works
Singular works that carry the same weathered atmosphere while speaking in their own register.
Artist statement

I've always been an artist of one kind or another. For most of my life, music was the language through which I expressed myself. I cut my teeth on Bluegrass music with my father, then went on to perform professionally as a bassist rooted in Cajun, Zydeco, Blues, and R&B—learning how rhythm, atmosphere, tension, and release can say what ordinary words cannot.
That musical life still moves through my paintings. I think in passages, pauses, harmonies, and voices in conversation. Music and culture from around the world continue to shape my sense of rhythm, mood, and movement—most notably the traditions of Greece and Ireland, the Soca music of Tobago, and Japanese jazz fusion. The mystery and endurance of ancient Mesopotamian and Greek architecture also enter the work through weathered surfaces, thresholds, ruins, and the suggestion of worlds that have existed beyond memory.
Painting didn't replace music; it expanded it. I had viewed the world through an artist's eyes for years, but it wasn't until I became brave enough to put that way of seeing onto canvas that my artistry found another voice.
My faith in Jesus Christ is central to my life. It shapes how I see the world, what I hope for, and what I imagine may exist beyond what we know.
I do not pretend to know what Heaven will be like. But I often paint with another world in mind—a place aged and beautiful, mysterious and welcoming, where there is peace without emptiness and discovery without fear.
I live with my paintings, and over time they become more than objects on a wall. They become quiet companions: dependable presences in the rooms where life actually happens. My hope is that they might become that for someone else, too.
“If, for a moment, one of these paintings allows you to feel at home in a place you've never been, then it has said what I hoped it would.”
— Lois Sprague

The Maverick collection
Outlander and The Stranger show how painting and sculptural work can share a room as members of the same unconventional family.
Archive
Selected works remain part of the VisiSPEAK story even when they are no longer available.
For designers, collectors & trade
VisiSPEAK offers original works for residential interiors, commercial spaces, and hospitality environments. Selected works can be discussed by scale, palette, placement, and project needs.